bitparade: Final Fantasy X HD Remaster (Vita)

Before we go any further, I’ve decided to split our review of Fial Fantasy X\X-2 HD Remaster into two seperate articles, with this one covering Final Fantasy X and a later one covering Final Fantasy X-2, this is purely because of the size of the two titles that are included as this re-release of one of Square-Enix’s classic titles. This will, unfortunately, mean a sizeable gap between the two but the cirumstances behind this release, plus those of a personal nature, pretty much limit me to doing it in this manner. Plus its nice to take a look at them at the seperate entities that they originally were.

This Vita release of Final Fantasy X is the “International” release of the game, by that I mean it doesn’t have any drawbacks that we saw with the original PAL release back in 2002. This results in a nice full screen with no borders, 50hz refresh rate and a nice crisp frame rate whilst the animations are at the full speed that they were for the American and Japanese markets instead of the floaty, slow motion animations we got originally. These are arguably only small things but it really makes the difference (I recently revisited the opening couple of hours on PS2 to remind myself of the game before I got my hands on the Vita release).

For those that are new to Final Fantasy X, and without going into too much detail, the story focuses on Tidus, a boy from Zanarkand who’s also a star “Blitzball” player (a kind of water polo game). During a Blitzball game his homeland of Zanarkand is attacked by a giant creature known as Sin, an old acquaintance, Auron, comes to his aid. However Zanarkand is destroyed and the pair are transported to a land known as Spira. Upon his arrival, Auron is nowhere to be seen and Tidus begins to learn more about Spira, its fight against Sin and the journey of the lands Summoners. It’s that latter point that leads to the progression of the story which takes in quite alot of religious symbology and how the people of Spira and Al Bhed fight against the permanent threat of their towns, cities and world being destroyed by Sin. Obviously, this being Final Fantasy, more and more is revealed as time goes on and some of the reveals within this tale are pretty brave for a game of its time, not to mention the hype that surrounded it. Whilst the series has tried to handle topics such as love, religion and sacrifice in the past, it hasn’t previously been able to do so with quite as much confidence and flair as on display here and the entire production feels like Yoshinori Kitase, Kazuhige Nojima, Daisuke Watanabe and Motomu Toriyama are all at the top of their games.

It does have its set backs though, but they’re only really massively apparent now, after over a decade since the game was originally released. The voice acting was always a bit hammy, Wakka “…Yah” at the end of a sentence can really great and Tidus’ voice actor can often swing between deadly serious and incredibly whiny within the same sentence, its often hard to tell if Lulu sounds disinterested because of the performance of her voice actor or because thats how the character is supposed to be portrayed (even though she’s far from disinterested, in fact she’s probably the most measured personality out of the bunch, and most of your understanding of what is going on comes through her explaining things to Tidus), and this is all before we mention the infamous “HAHAHA! HAHAHA!” moment in the story, which whilst done on purpose, does make you grimace a little bit at the rather over the top nature of it. However, Final Fantasy X was the first Final Fantasy to feature voice acting, and whilst the series still doesn’t really have as high a standard as some of its competitors (such as Atlus’ Persona series), its not too bad and was a bit of a relief to those that had grown tired of reading the PlayStation era’s blue boxes.

My absolute favourite element of Final Fantasy X however is its battle system, its typically traditional in appearance, with three party members on your side against whatever opponents the game throws at you, and whilst battles are random (i.e. you cant avoid on screen enemies like in the Tales, Grandia or Persona series), thats never really been an issue for me personally. The thing I do like is its fluidity, it moves at breakneak speed (for the genre) and the ability to switch characters in and out at any point allows you to switch the focus of the battle depending upon your needs, be it a need to step back and dish out buffs and healing spells whilst one party member keeps the attacking element up, or going for an all out onslaught with other options available in between. Just swapping one character for another brings a whole new element to each battle and the game toys with this a little by twisting the old Jobs system a little. Like with Final Fantasy Ix, each character has a particular job type, however here they’re not designated as “Thief”, “Warrior” etc but they’re each assigned skills and traits that, initially at least, are exclusive to them. Yuna is your healer and Summoner, whilst Lulu is your sole Black Mage at the start of the game, as you progress round the Sphere Grid (a kind of game board that you insert spheres into in order to learn new skills and gain better attributes), characters can begin to take on multiple roles. Weapons also come into play here, for example enemies with strong armour require a weapon with a Piercing ability. Most of the time this kind of enemy is best dealt with by either Auron or Kimhari, but other characters also gain weapons with such an ability, so as the game progresses, your ability to customise and taylor your characters to your playing style evolves, and the game is always giving you different options for each scenario it throws at you.

What we have here then, for PAL players, is Final Fantasy X as it was intended to be, in a handheld format thats surprisingly adept at being left on standby and alowing you to pick it up and play as and when you want. The latter is mostly thanks to this particular stories rather linear progression from a story aspect as the world doesn’t really allow for much in the way of exploration and being sidetracked like the PlayStation instalments did. If you’ve never played the series before, X marks the end of the kind of traditional JRPG gameplay that attracted so many players to it during its blockbuster era (arguably VI through to X) before the series arguably begun to decline (aside from the amazing and seemingly under-appreciated by its creators, FFXII), if you want an epic story and a rather meaty game for your Vita then Final Fantasy X HD Remaster is certainly worth adding to your collection.

bitparade: Luftrausers (Vita)

Theres some kind of romance attached to the dog fighting pilots of the Second World War, lines are drawn in sand, the British were brave, tea drinking sorts who piloted their Spitfires with great skill, the Americans were incredibly patriotic and gung-ho, the Germans evil calculating and incredibly accurate whilst the Japanese would do anything to win, even if it meant losing their life. Watch any World War II movie featuring aerial dogfights and those stereotypes will make an appearance. Luftrausers kind of ties itself into that entire world, a world where men would take to the skies to protect their lands in displays of aerial ballet, albeit with a lethal edge (and in the case of Luftrausers specifically, without most of those tropes mentioned above).

In fact the game feels like it places you as part of the German Luftwaffe as a kind of test pilot for a wide range of weird and wonderful death machines, and a big part of the gameplay is reigning death upon other craft including planes, battleships and even blimps, you’ll also find yourself exploding an awful lot yourself, which suggests this particular group of German military types have managed to clone a large number of test pilots (or at least have an endless supply of willing volunteers). Theres no motive attached to any of this, and the above is purely how it all works out in my mind.

The hugely surprising thing about Luftrausers is how quickly it throws you into the action, almost immediately after launching the game from your Vita’s home screen you’re encouraged to “Press Up to Raus”, from there you find yourself zipping around the skies in a plane that handles a little like the ship from Asteroids. However, its not as simple as unleashing a hellfire of bullets upon the skies, because by shooting at things you risk taking damage yourself, this can only be repaired by taking a break from firing your guns to accelerate around the screen until your health has been replenished. Rather than filling the screen with all kinds of bars and other HUD style displays though, Luftrausers uses audio cues to tell you when you’re in any kind of danger or even when you’re out of said danger.

This isn’t the only way that it uses sound in a rather intelligent way. The game focuses around constructing different planes, so as you progress you unlock more parts, with there being three catergories in total. So thats guns, body and propulsion, each has their own positives and negatives and its all about finding what works for you, just because you unlock something a bit later on, it doesnt always mean its a better option. In order to unlock more parts you have to meet different goals for the parts you are using, which can be hitting a certain high score or taking down a set number of a particular enemy. Each time you change a part or create a new combination, your new creation gains its own name and to fit with that it also has its own soundtrack. Thus the game encourages experimentation and generally toying around, and its this element, plus the aspect of it having that “just one more go” feeling thats great for any arcadey handheld game that will keep you coming back.

Coming back to that mention of Luftrausers being “arcadey” for a moment, this isn’t meant in the way you would describe an arcade racer, what I mean by this is that with a set of earphones in and the volume turned up, the game really drags the player into the mindset of being in an old Games Arcade, as mentioned it has that “Just one more go” feel, which, tied in with its visuals and the audio, really digs into a sense of nostalgia that quite often feels like is missing from modern gaming, and its all of this tied together that makes Luftrausers a brilliantly compelling little title.

bitparade: Football Manager Classic 2014 (Vita)

Sports Interactive have tried on several occassions to shift their hugely popular and ridiculously addictive Football Manager titles to systems other than the PC. They’ve seen some success in adapting the system to iDevices in recent years and now its the turn of Sony’s PlayStation Vita. On the surface it really does seem like a great match, the system is respectably powered and features touch screen controls. The systems sizable screen should also lend itself well to the interactivity of the series, plus the ability to play where ever you want means addicts never have to leave their game ever again (especially if they also own Football Manager 2014 and play the Classic mode on that as you can switch your save file between the two almost seamlessly).

And to be fair, they’ve done a really great job of cramming the entire Football Manager experience onto the system, okay those of you who like to have dozens of leagues on the go and be able to scout the furthest reaches of the globe to gather talent for your teams may feel a tinge of disappointment at the number of leagues you can have running, but I’d say its a small sacrifice to pay for the portability of Football Manager Classic 2014.

Sports Interactive have built the entire game around the Classic Mode that they introduced with Football Manager 2013, here its titled Career Mode and is the core focus of the game, those of you who know the series will know what to expect, for those of you who haven’t played Football Manager before, well, you take over a team of your choice and try to lead them to glory by playing around with formations, buying or loaning players and generally operating as you’d kind of expect a football manager to do. It’s incredibly compulsive and I personally have been known to have notebooks and spreadsheet documents full of formations, squad line ups and all sorts of other things. Hell, at one point, with Football Manager 2009, I kept a blog of a rather topsy turvy career as manager of the French Ligue 1 team Bordeaux. It’s pretty much every football fans dream, after all, we all know better than the man who is actually hired to run the football elements of the clubs we watch week in and week out every season.

The amount of detail and the number of options available in this handheld version of the game are absolutely astounding, and its very very difficult to find any differences between this and its “bigger” PC relative. The differences do start to emerge though, and its most noticeable in the games user interface. You see, Football Manager has a bit of a reputation for having menu’s within menu’s within menu’s, its rather SRPG in its nature, you can change exactly where you want a player to start a game, but also give them tailored instructions for how much you want them to press, if you want them to play as (for example) a winger, inside forward, wide play maker or any number of different things, with additional inputs available for how much you want them to push forward, mark another player, the tempo of their passing the list goes on.

This all works great on PC, its ridiculously easy, even on the stripped back “Classic Mode” (the PC version full fat mode goes into further tactical depth), however, here, crammed onto the Vita’s screen and with Sports Interactive seemingly neglecting to include the option of using the face controls as well as the touch screen, literally limiting you to the latter, filling the screen with tiny icons, text links and buttons with sluggish response times, well it all feels like a let down and turns an incredibly compulsive and addictive experience.

The thing is, this is Football Manager, to watch the game being played it looks like it should and everything is in there to make it into the experience it should be, but purely because of the design of the games various screens and interactivity options, plus the way the developer has neglected to take proper advantage of the controls on offer (one suggestion being to make the left analogue stick into a controller for a mouse pointer like the PSP releases) makes Football Manager Classic 2014 into a rather frustrating (for all the wrong reasons) experience, even if it is still as addictive as ever.

bitparade: Deception IV: Blood Ties

Way, way back in 2007 we reviewed a game called TrapT. TrapT and Deception IV: Blood Ties just happen to be from the same franchise, although Blood Ties is the first of the numbered releases to make it to Europe. Thats something we dont see particularly often anymore (with the highest profile releases done in such a manner being the Final Fantasy games way back when), but then when the previous release is that 7 year old game that was met with a rather disinterested reception (it was also the last release in its native Japan), then its not really surprising that Deception IV: Blood Ties has only really been the focus of sites that pay attention to Japanese oddities.

And it really is an oddity. The entire premise of the game is that a group of heroes are trying to gain access to a variety of different locations to obtain a rare item that they feel has fallen into the wrong hands. When a group of these rare items are collected together, the devil can be released from hell. Stupidly, they carry the items that are currently within their possession into said locations with them, where you, the daughter of the devil, lie in wait with your minions and a bunch of traps that you lay down in order to bring about death and destruction and take possession of the sacred artifacts.

So Deception IV gives you the opportunity to actually play as the bad guy, couple this with some of the tools on offer and what we have here is a rather devilishly amusing little title that provides a wealth of experimentation and entertainment.

So, as the �heroes� invade your castle, manufacturing plant or any of the other locations you inhabit, you can lead them around from room to room, placing a variety of traps or trying to take advantage of the environmental elements such as trains entering stations or vats of molten steel. The beauty is that you can either lure them onto a single trap and chip at their health bit by bit or pause the action and spend time plotting out a twisted and delightful combination of devices, and as you progress through the game your options increase further.

The traps you can lay range from the humiliating (pumpkins being dropped onto heads, garden rakes on the floor) to the Sadistic wherein the idea is to inflict as much pain as possible in one go, through the Elaborate (which you can use to help bring the environmental traps into play). Thie general idea is that you try and combine all of these elements together to get as large a score for each of your victims as possible, the larger the score, the bigger your reward at the end of each chapter and the more new traps you can purchase to add to your arsenal.

The theory behind all of this is excellent and incredibly appealing. However, its the manner in which its all realised thats ultimately frustrating. There are times when you are sat through overly long conversations between characters, a problem with alot of recent games on the system, and at the beginning of each Act you are introduced to each of your potential victims, thus allowing you to find out their strengths and weaknesses. However, if you die, you have to sit through all of this again, and its certainly possible to find yourself in a position where you will have to restart thanks to the games rather claustrophic camera angles and locations which make it difficult to avoid being attacked or indeed on occassion fall victim of your own traps in some manner. This is all made even worse by the frequency at which you can save, which isn’t particularly often, what with it being at the end of each chapter, most of which last about an hour in total. Some will argue it makes the incentive to be more cautious even more important but its easy to make a mistake and for that mistake to make things harder overall and even a save state kind of save system would allowed for the freedom to experiment even further and play about in the games setting to get the most out of it.

Thats pretty much Deception IV: Blood Ties biggest issue. As a whole, the game means well, it tries to encourage you to act out some pretty dark torture based fantasies, but ultimately, due to some of the developers design decisions you often find yourself playing it a little too safe and this leads the gameplay to ultimately become a little repetetive and boring. All told then, Deception IV has some nifty idea’s and deserves more attention than it will ever gain, but its far from perfect and its flaws become frustratingly noticeable far too easily.

bitparade: Monster Monpiece (Vita)

Few games feel as confused about their identity as Monster Monpiece, a game that is, for the most part, fairly innocent. The core concept of the game that you actually play is an intriguing mish-mash of Card Collecting Game (think Magic or Pokemon…) and Tower Defence. However, and those of you who know anything about the title will already be aware of this, it does have a dark, seedy underbelly that doesn’t really fit in with the rest of what is present.

So then, throughout Monster Monpiece, you are placed in the position of May, a girl who attends an Academy where they learn to control “Monster Girls” (I’ll point out here that the entire cast is female), these Girls then used in battle and summoned via the use of cards, a series of events unfold that mean you have to travel from town to town collecting a special item that a hidden evil also wants to get its hands upon. This is all played out over text based dialogue sequences that go to alot of effort to flesh out each of the individual characters, and surprisingly for a game of its type, does try to make some element of groundwork on developing relationships between each of the key players that dont feel forced or out of place.

What does feel out of place, and I feel this is the perfect place to discuss the gameplay, is how you level up the Monster Girls. Now ordinarily, the artwork on the cards is fairly small and whilst it is pushing the boundaries of what is tasteful, the pictures are miniscule enough on the Vita’s screen that its easy to get away with. When summoned into battle they look nothing like they do on the cards, instead they take on the appearance of one of four types (Sword user, Archer, Healer and another type of magic using avatar). The more battles you win, the more “Rub P” you earn, this is then spent in the “First Crush Rub” area of the game in order to improve each card within your deck. From here you choose a card that you want to spend points on, the artwork is blown up to the width of the Vita’s screen which you have to turn around so the screen is in a portrait position. From here you have to fill a bar within a particular amount of time by rubbing hidden spots on each girl, which illicits various moans and groans of pleasure, until said bar is either full or you run out of time. Once the bar is full you then have to rub both the front and back screen simultaneously as quickly as possible to finish the whole process off and make that particular girl stronger.

The feels ridiculous out of context to how the rest of the game is presented. The discussion and artwork for the main cast of characters wouldn’t really look out of place in most JRPG’s (regardless of their content) and there’s no other reliance on any sexual overtones, and as for the card battles themselves, the above kind of damages what is an excellent and challengingly entertaining game.

Onto the positive. I’ve mentioned above that the battle system is rather good. What you have is a 7×3 grid split into the colours. 3×3 of Blue and Red with a 1×3 strip seperating them as a no-mans land. At each end of the grid is a building, the left side of the screen is yours, the right side your opponents. You then have different types of cards with characters that use different weapons (sword, bow, staff and wand). The sword users are close combat, archers ranged, staffs provide buffs and lastly the wands act as healers. Then there are different coloured cards and this is where the strategy comes into play. By placing down 3 cards, you gain an extra buff to your attack, Mana and health, the idea here is to keep doing this and allow the draw of your cards to stack as to allow you to take advantage of doing so. Each time you place a card on the grid, your drawn characters will auto attack and auto move until they’re either defeated by the opponent directly opposite them or you defeat them overall. Its the constant pushing forward that makes the battle system completely engaging and one false or intellgent move can easily result in the weight shifting in the opposite direction at any given time, and as the challenge increases the further you get through Monster Monpiece, the more entertaining the entire system becomes.

So to come back to my original point, Monster Monpiece really does feel confused. On its own, the battle system and the characterisation makes this a fine game for a handheld system. However, I, personally, found the “First Crush Rub” aspect a little too uncomfortable and I’m not of the persuasion that its anything to do with differences between Japanese and European cultures. If anything, Monster Monpiece doesn’t feel sure of its own strengths and I kind of get the impression the “First Crush Rub” stuff was included for the Japanese market which is becoming increasingly littered with titles that pander to the Otaku sub-culture, and whilst I can happily consume certain elements of that type of culture, the elements of Monster Monpiece in question take things a little too far I feel, but overall, it really shouldnt detract from a really entertaining game and its unfortunate that there doesn’t seem to have been an alternative system that was considered.

bitparade: OlliOlli 2 (Vita)

It’s no secret that I was a huge fan of OlliOlli back when it was originally released on the Vita last year. It had a few problems, which by their own admission, took developers Roll7 far too long to address (a crashing glitch being the worst culprit and a lack of leaderboards was a killer for some, although I felt sharing screengrabs on Twitter or forums felt like a return to the “olden days”), but overall, the gameplay was sharp and highly addictive. My one major gripe with it was that I could never ever figure out how some people were getting the scores they were getting, but thats high scores in general as far as my ability is concerned.

Just over a year later and Roll7 have already released OlliOlli2: Welcome to Olliwood, which aims to add a whole slew of new bits and bobs whilst having things like online leaderboards available from day one. I was never really against having Leaderboards in OlliOlli but found their eventual addition took away a kind of communal discussion on the game, with players prefering just to check out the scores that way rather than resort to other means and actually engross in an element of rivalry and, for want of a better word, banter. Their immeidate inclusion here does make sense, its a bit of a no-no not to include them in modern day high score game, but its still a pity that that communal discussion will not take place quite so much for OlliOlli 2.

The other additions to OlliOlli2 come in the forms of methods of navigating each level, previously the only way to link tricks was to hit a grind, but now you have the option of landing in a manual so that even being on the land allows you to keep a combo going. You can also perform reverts, grind switches and initiate stance changes before you begin your combo, allowing you to find and customise your combinations when taking on others via the leaderboards or entering the now traditional Daily Grinds (which are still an absolute bastard!). Thankfully, none of this requires mastering any of the other buttons on your Vita as everything is still done via the use of the left stick + X and shoulder buttons, but as with before, different results are achieved by differing your input combinations and perfecting the timing.

Theres very little to accuse OlliOlli 2 of in regards to faults, its still as punishing as ever and whilst its perfect for short bursts of play via the Vita I’m not wholy convinced that the systems small analogue sticks are perfect for it, unfortunately I don’t have the hardware required to try it on something with a bigger analogue stick. This often makes performing a variety of tricks, or indeed the tricks sometimes set out in a levels completion goals, rather inaccurate, which does take away from some of the enjoyment of OlliOlli2 but overall, its still an excellent title that, I feel at least, is as essential for Vita owners as the first one was!

bitparade: Operation Abyss: New Tokyo Legacy (Vita)

Despite criticism of a lack of software, not to mention that Sony themselves seem to have abandoned the device, the PlayStation Vita has really carved a niche market for itself with its catalogue of Japanese oddities, dungeon crawlers and an impressive roster of indie titles. Operation Abyss: Neo Tokyo Legacy fits into that middle category and, having been developed by Experience inc, who were responsible for last years Demon Gaze, which we here at bitparade rather enjoyed, it comes with some pedigree.

Operation Abyss’ setting is fairly typical, if you can overlook Japanese culture’s obsession with having high-school students saving the country or the world then you’ll get by just fine. The plot involves said students investigating a rather nasty infected zombie type uprising, called Variants, that are abducting, dismembering and killing the local populace. This all takes place in the titular Neo Tokyo, a near future version of Japan’s most famous city.

Your squads investigation and search for said variants mostly takes place in a variety of abandoned locations, such as apartment buildings and warehouses. Which are a bit of a contrast to Demon Gaze’s forests and cave like locations. Exploring each location gradually builds up a map and you’ll soon discover one way door systems and areas that only accessible teleportation plates all of which is given viability by the games scientific occult like feeling.

Battles, the core of any JRPG regardless of subgenre, mostly happen at random. Obviously boss battles are pre-scripted but occasionally whilst exploring an icon will appear in a room or corridor you have entered advertising that there are Variants on that particular tile. Allowing you to void that particular confrontation if you wish to do so.

If you�re an old hat to the genre, then Operation Abyss is an enjoyable potential addition to your collection, if you�re seeking an entry point then I wouldn�t say that this one is for you. The games biggest problem is that whilst it likes to waffle, as do many titles within the genre, it�s just far too vague with some of its more simple concepts, not only that its really kind of forgettable and the studio�s previous Vita outing, Demon Gaze, is a far better, albeit crueller, example of what makes people flock to these types of games on handhelds.

bitparade: Dengeki Bunko: Fighting Climax (Vita)

Handhelds and fighters are generally a bit of a mixed affair, that’s not to say they don’t work, but its only natural that when you have a slight cramped input device, then you’re not going to necessarily be able to deliver as full an experience as you would in an Arcade or console environment. There’s also the difficulty in generating that all important competitive nature that’s so integral to the success of games within this genre, by limiting yourself to a handheld you almost limit the player to playing against the AI. Now admittedly we do have online modes these days, but it can be tough putting together accurate online code that doesn’t throw up additional problems of its own, and its in these area’s that the Vita version of Dengeki Bunko: Fighting Climax suffers.

Released over all three of Sony’s current platforms, the Vita version is, fairly obviously, the one that is likely to gain any following. Thats not because its a bad game, its pretty much mostly down to the suitability of the system. The d-pad and face buttons are far too compact for the games reliance on quarter-circle combinations to work making it even less useful as a training tool, nor is it really viable as a good place to start with the genre. It’s unfair to criticise this particular title for this, but all too often games within the genre are far too reliant on the player being an old hand and able to handle themselves, knowing each games variation on commands and being able to spot the seperate skills and techniques that differentiate something like an SNK Playmore fighter from a Capcom one (as an example). Dengeki Bunko: Fighting Climax is no different, there’s no tutorial and the practice mode doesn’t even let you display combinations required to pull off each characters moves outside of its designated menu area let alone record your inputs so you know you’re doing things correctly.

So why would anyone purchase this over, say, Blazblue? It’d be purely down to fan loyalty and aesthetics, ignoring the platform for the time being, the elements that’d attract anyone to this particular release would be down to them being a fan of manga publisher Dengeki Bunko (whom are responsible for manga and anime such as Sword Art Online and Durarara!!) from which characters appear within Fighting Climax to battle it out. SEGA fans may be mildly interested in the locations and music being taken from a handful of the developer/publishers titles plus an appearance from two famous faces from the Virtua Fighter series (Akira appears as an unlockable characxter, as an Assist Character, whilst Alicia from Valkyria Chronicles also appears as an Assist Character) but its not a huge amount of content that would make this an essential purchase for anyone other than die-hard fans of either company.

It”s a shame that Dengeki Bunko: Fighting Climax feels so hampered by its content, theres an additional story mode that sits alongside the main arcade mode, your standard versus mode just incase you know someone else with a Vita and an online mode, which holds up surprisingly well, I had no problem actually finding games here and had far more success at keeping a connection than I have done with previous fighters on the system, but unfortunately, it all just feels so thin.

bitparade: Corpse Party: Blood Drive (Vita)

I think I should start by stating that I haven’t played the previous two titles in the Corpse Party series and in actual fact I didn’t even know of the series until I started covering Blood Drive, with this in mind I don’t inte4nd to be particular judgemental of the overall story, but I am also kind of aware in the changes of gameplay from the previous instalment to this one.

Getting that particular part of the review out of the way first is key, Blood Drive plays in a similar manner to top down dungeon crawling RPG’s due to the developers decision to take this particular instalment down a 3D route rather than the previous titles more interactive novel approach. This is where my comparisons using my lack of any real knowledge beyond Wikipedia end. I will say though that despite being pushed as a horror title, the games 3D appearance and use of chibi-esque character designs detracts from the scares somewhat. It’s hard to find a large headed, small bodied ghost squealing like a baby as it floats towards you as something that is scary, and its only the immediate threat of harm that makes you concerned for their appearance.

It’s also at odds with the descriptions presented to you during the games long story and conversation dialogue moments. Things will be described that just don’t measure up when performed by the 3D characters and there are a few moments where events that are played out are contracted by the lack of change in those character models, this is exacerbated by the use of manga character art that appears during all of the story driven moments.

Corpse Party: Blood Drive is littered with numerous aspects that aren’t what one would consider to be good videogame design. For starters dialogue goes on for far, far too long, this isn’t something I’m normally bothered about, after all I’m a huge fan of Atlus’ rather dialogue heavy Persona series, but more often than not it feels like Corpse Party is either over explaining itself or the writers just don’t understand when to stop and let the game be played. Once it does allow the player free reign theres quite a bit of enjoyment to be had from the games hide and seek kind of gameplay. As you explore the alternate dimension school that the games plot takes you to (and which the characters are returning to from the series second instalment) you will find that you have to avoid various traps whilst also avoiding ghosts (even hiding in closets from them in a rather Metal Gear Solid-esque fashion), this is where the game is at its strongest. The school itself is rather crudely designed and takes some getting used to whilst you find your bearings due the lack of map which kind of adds to the tension of discovering a ghost. You can also rid yourself of such pests by using talismans to dispel them, butt he core mechanic revolves around running away and hiding until the threat has passed.

The lighting model doesn’t always help you avoid traps, there is very little light within the school and you will find yourself reliant on your torch, especially in new areas whilst you figure out where the various traps are. However the batteries on the torch do drain and you will only find a few replacements littered around during each chapter, I never actually ran out but I was really frugal with the amount I used my torch, mostly because I could never tell when it was likely to run out due to the games like of HUD. There are no on screen bars to tell you when your health, battery or stamina is low and its usually through character driven cues that you notice that you need to address a particular situation (i.e. not sprinting as much, instead relying on walking, as your character begins to stumble a bit).

The thing is, Corpse Party: Blood Drive, isn’t a good game, the lack of HUD, odd decisions over its presentation, weird mechanics and overly tedious interactions between characters that aren’t particularly interesting, plus the lack of being scary in any particular way, should all mark it out as one to avoid. And yet I found myself wanting to return to it time and time again just to edge a little further on each play, I genuinely found it intriguing and oddly morbidly amusing. I’m certain thats not the developers intentions though.

bitparade: Persona 4: Dancing All Night (Vita)

We’ve waited a while for this. Okay, so since its original PlayStation 2 release back in 2009 (for Europe) we’ve received a re-release (P4 Golden on Vita), 2 fighting games and the Persona 3/Persona 4 dungeon crawler crossover Persona Q, but this one, Persona 4: Dancing All Night, has always felt like its a little further away from release than we’d like. Well, not any more as its out now, but does it live up to that wait?

Well, um, kinda. Persona 4 fans will get a kick out of seeing their favourite characters again, but unfortunately it still feels like a bit of a let down and this is down to a handful of reasons. But first we’ll start off with how the game plays. If you didn’t already know, Dancing All Night has removed almost all signs of its JRPG roots, instead the focus here is placed squarely on Shoji Meguro’s excellent soundtrack, its probably the praise the soundtrack received that led to the games development and after nigh on 90 hours with Persona 4 Golden I can hardly blame them. The jist here is that another shadow realm has opened up, and something within is once again playing upon peoples insecurities, however fighting doesn’t doesn’t do any harm in this realm, dubbed the Midnight Stage by the cast, instead we take a jump into Rise’s world and the cast have to dance their way to uncover the mystery put before the reformed Investigation Team.

This is all played out in a similar manner to the Story mode that accompanied both Arena games, and it can feel a little text heavy, with characters often repeating what’s been happening a number of times before the action moves on and you’re thrown into the actual gameplay. Said gameplay revolves hitting the directional and face buttons in time with the music, matching the required input at exactly the right time to get a variety of ratings dependent upon accuracy. There are also icons that require you to flick one of the Vita’s analogue sticks, these aren’t essential but do increase your combo and allow you to launch Fever mode, which all adds up to increasing your score at the end of the round. None of the tracks are particularly difficult on the games Normal difficulty setting, even for someone with very little rhythm such as myself, although they cam get punishingly difficult when played in the games solo mode when you increase that difficulty.

Unfortunately, the game doesn’t really do Meguro’s excellent soundtrack justice, a lot of them are remixes of the tracks you know and love from Persona 4 but they just don’t really seem to translate well to this kind of game. The lack of visual input does little to help matters either, the performances of Yosuke, Teddy, Rise and co aren’t affected by how well you’re doing, so aside from a small UI element at the top of the screen, theres very little to indicate when your performance is going down the toilet other than seeing the �Miss� text pop up whenever you miss an input.

It’s nice and all seeing the gang back together, as a fan of the series that was enough for me to get something from the game, its one of those casts of characters that are just enjoyable to spend time with, and the writing for their relationships is almost as good as it ever was (although the overall level of writing, much like with the Arena games, isn’t at as high a standard as it has been with the RPG releases, in fact Teddy, once again, suffers most here), its just unfortunate that Persona 4: Dancing All Night feels exactly like the fan service product that I hoped it wouldn’t be.